1856-1910 French Henri Edmond Cross Locations French painter and printmaker. The only surviving child of Alcide Delacroix, a French adventurer and failed businessman, and the British-born Fanny Woollett, he was encouraged as a youth to develop his artistic talent by his father cousin, Dr Auguste Soins. He enrolled in 1878 at the Ecoles Academiques de Dessin et d Architecture in Lille, where he remained for three years under the guidance of Alphonse Colas (1818-87). He then moved to Paris and studied with Emile Dupont-Zipcy (1822-65), also from Douai, whom he listed as his teacher when exhibiting at Salons of the early 1880s. His few extant works from this period are Realist portraits and still-lifes, painted with a heavy touch and sombre palette (example in Douai, Mus. Mun.).  Related Paintings of Henri Edmond Cross :. | Undergowth | Cypress Trees at Cagnes | Le Four des Maures | Beach on the Mediterranean | Landscape |
Related Artists:
Horace Vernet
French Academic Painter, 1789-1863, Painter, son of Carle Vernet. He was born in his father's lodgings at the Palais du Louvre, where his grandfather Joseph Vernet also lived; his maternal grandfather was Jean-Michel Moreau. To these antecedents and influences are ascribed the supreme ease of his public career, his almost incredible facility and his fecundity. His early training in his father's studio was supplemented by formal academic training with Franeois-Andre Vincent until 1810, when he competed unsuccessfully for the Prix de Rome. He first exhibited at the Salon in 1812. In 1814 Vernet received the Legion d'honneur for the part he played in the defence of Paris, which he commemorated in the Clichy Gate: The Defence of Paris, 30 March 1814
Henry Holiday
Henry Holiday (17 June 1839 - 15 April 1927) was an English historical genre and landscape painter, stained glass designer, illustrator and sculptor. He is considered to be a member of the Pre-Raphaelite school of art.
Johann Ludwig Aberli
Swiss, 1723-1786, Swiss painter, draughtsman and engraver. In 1741 he moved to Berne, where he took drawing lessons with Johann Grimm (1675-1747), whose school of drawing he took over in 1747. He visited the Bernese Oberland with Emanuel Handmann, Christian Georg Schetz (1718-91) and Friedrich Wilhelm Hirt (1721-72) in 1759 and in the same year travelled to Paris with Adrian Zingg (1734-86). This was his only trip abroad, but it determined him to work exclusively as a landscape painter. After nine months he returned to Berne, where his landscape views became popular, particularly with foreign travellers, enamoured of 'Nature' and keen to retain souvenirs of their travels. He was one of the first artists to portray the beauties of the Swiss countryside; his favourite subjects were the Aare Valley and views of Swiss lakes (e.g. View of Erlach on the Lake of Biel; Berne, Kstmus.). He invented a technique known as the 'Aberli style', which consisted of watercolour washes added to an image in which slightly smudged outlines were achieved through a combination of engraving and etching. The prints were made from drawings taken from nature and finished in the studio. His style was characterized by delicate execution, an intimate narrative approach, refined colours and the ability to convey a light and vaporous atmosphere. Aberli's success was such that he had to employ assistants and pupils to aid him in the coloration process; his pupils included Erasmus Ritter, Johann Jakob Biedermann, Marquard Wocher (1760-1830), Gabriel Ludwig Lory the elder (1763-1840) and Peter Birmann. From 1773 to 1775 Aberli also painted a series of costumes in response to tourist demand.